pedro gonzález   bio . scores . contact

​strings
for violin, viola, cello, video and electronics

​
​Dealing with the performer´s identities, body and relation with his/her instrument. The sound input is modulating the different deformation processes applied to the 3D representation of the human body. Thinking the sound as an embodied collaborative gesture.

FLUID ENGINE for saxophone quartet, movement and electronics

HYBRIDS for violin, sensor, movement and electronics

STARLINGS OVER THE CLOUD for ensemble, acting, video and electronics

COURANTE for cello, movement and electronics

4MOUTHS for ensemble, video and electronics

STRING MASK OVERFLOW for violin, movement, shadow, video and tape

SILENT POST A.2.1 for ensemble, video and electronics

FLORA for ensemble, video and electronics

MAGIC CELLO for "speaker-embedded-cello", audience members, sensor, light and live-electronics

THE COLONY for audience member and videogame engine

KOHLENPOTT MEMORIES for 8 dancers, 2 zither ensembles, video and electronics

TRAZO for vibraphone, piano, video and electronics

SAP for 2 performers, knives, vegetables, movement, video and electronics

STRATOS for open ensemble, video and electronics